| HELL HATH NO FURY |
A fundraiser for The Satanic Temple's Religious Reproductive Rights Campaign thrown by The Satanic Temple - Louisiana Chapter
Consistent with our tenets that call for bodily autonomy and acting in accordance with best scientific evidence, TST religiously objects to many of the restrictions that states have enacted that interfere with abortion access. TST is taking many steps on behalf of our members and those who share our beliefs to establish exemptions from laws that do not promote the health and safety of patients and violate our conscience and beliefs.
| FEATURING |
-A REAL LIVE SATANIC RITUAL
-Silent auction with lots of art, goods, jewelry, & services
-Performances by Deadsled Funeral Co., PlagueMaker, BeverLuna, & more TBA
For more information on TST's Religious Reproductive Rights Campaign please visit: https://religiousreproductiverights.com/
IT'LL BE A HELL OF A GOOD TIME.
HISPANIC SATANIC ORG. 666 PROUDLY PRESENT
POWER FROM HELL
Black Thrash Metal From BRASIL South América
Drunken Thrash Metal (New Orleans)
Black Metal (Dallas Texas)
Black Metal (Houston Texas)
DOORS/ 8:00 P.m.
SHOW/ 9:00 P.m
COVER/ $20 AT DOOR
NOLA's favorite dance party is back &
ready to make some 𝔹𝕀𝔾 𝐖𝐀𝐕𝐄𝐒.
Secret Line-up & additional details: TBA
❗RSVP for FREE entry, 𝗟𝗜𝗠𝗜𝗧𝗘𝗗 tickets available❗
RSVP Link: Tuesday, Aug 6 at 3PM CDT
21+ | *Free Beignets included.
*CLICK "Going" or "interested" to be notified with all our updates for this exclusive event.
Giuda is a five-piece band from Rome, Italy, that play an air-punching mix of anthemic ‘70s rock hooks delivered with the brutal force of early UK punk, all interpreted in a contemporary and original way with relevance for today’s discerning listener.
The story of Giuda begins in 2007 and is inextricably connected with that of Rome’s seminal punk rock band Taxi. When Taxi’s career was cut short by the tragic passing of their drummer, singer Ntenda, lead guitarist Lorenzo and bassist (then drummer) Danilo regrouped as Giuda. The lineup is completed by guitarist Michele, adding a second layer of boogie sparks to the mix, and new drummer Alex, who recently replaced Daniele.
Fuelled by the sounds of bands like Slade, Glitter Band, Hector, Third World War and Slaughter & The Dogs, Giuda offer fresh, powerful rock and roll with attitude in spades.
Their debut album “Racey Roller”, famously described by Robin Wills (The Barracudas) as, “Cock Sparrer twinned with the Equals”, was graced with iconic cover art courtesy of French designer and glam fanatic Tony CrazeeKid, and quickly became an underground sensation. Highly praised by publications as diverse as Mojo, The Guardian, Uncut, Rolling Stone, Vice (album of the year) and Maximum Rock’n’Roll, the album remains a true cult classic and an inspiration to the numerous hordes of bovver rockers currently following in Giuda’s wake.
From their debut album release up until the present day, the band has completed several European tours and five USA/North American tours, playing around 400 gigs in total, including triumphant appearances at many major festivals such as Rebellion (Blackpool, UK), PunkRock Bowling (Las Vegas, USA) and Hell Fest (France).
“Racey Roller caused me to piss my pants laughing because it was so brilliant, so exhilarating and fun.” - Joe Elliot (Def Leppard)
“They carry the very essence of guitar rock into the 21st century.” - Alex Petridis, The Guardian
“This is irresistible stuff.” - 9/10 Classic Rock
“Italy’s glammed-up boot boys do it again.” - 9/10 Vive Le Rock
“Delivered with a ‘70s Saturday grin, the aural equivalent of pale ale, home-knitted football scarves and a pub fight.” – 4/5 Shindig
“Subtle as a platform shoe in the teeth.” - Daily Express
“Their performance transported me back to the heady days of watching punk groups play in the back rooms of dodgy London pubs in 1977.″ - Phil King (Lush, Jesus And Mary Chain)
“This is the most fun I’ve had watching a live band since The Fleshtones in their prime. This is no single-minded retro trip, but pure energy, loud, tight and concise.”- Robin Wills (Barracudas, Purepop)
w/ Dave TV and TBA
$14 ADV. // $16 DOS
The Devil has always been there. He is the great outsider, the original iconoclast. He is a conniving little shit and never seems to tire of giving humanity a wedgie or a wet willie just for a laugh. The Devil is capable of taking many forms. He can exist as one being or spread out amongst many. He can present himself as an ordinary man or as a horrific cloven-hoofed beast depending on his mood. Above all else, The Devil lives to corrupt, to adulterate, to defile.
Electric Six has often used The Devil as subject matter for its songs because of that last bit, the part about corruption and adulteration. That’s what Electric Six has been trying to do with its music now for quite some time!!!! We want to corrupt young women….just like The Devil!!! There’s nothing more rewarding than the seduction of a young innocent maiden, forcing her to wear demonic dresses, levitating her towards the great fiery skull and watching her eyes turn black as she gives into evil and becomes the bride of The Devil!!!! That….is why we started this band….to help women realize their potential as sexy evil maidens with eyes reflecting the utter darkness of a corrupted soul.
With its fourteenth studio album Bride of the Devil, Electric Six examines the concepts of evil and corruption, humanity’s various falls from grace, the nine circles of purgatory and of course, the internet itself. Bride of the Devil opens with the thunderous opener “The Opener”, a bombastic celebration of the arena rock Electric Six never got to play. The next two numbers are textbook ear worm guitar pop numbers that deal with debilitating income inequality and nepotism (“Daddy’s Boy”) and the horrors of being forced into a pool of toxic waste by an a rabid Doberman trained to kill (“(It Gets) (A Little) Jumpy”).
And then we get to the title track, a radio anthem, where it all becomes clear that The Devil is a metaphor for Russia and the United States is the young girl who is seduced, corrupted and wedded into a Satanic covenant with the beast. It’s all there in black and white. The Carrie Underwood-esque lyrics alongside a backdrop of vodka and caviar and backchannels and Seychllian bank accounts. That’s how they did it. They went after our country performers and got the rubes to feel good about being Russian assets. And still, it is the feel-good anthem of the summer.
Finally, the haunting album closer “Worm In the Wood” is Electric Six at its most serious, most tender and emotional. Haunting. Effervescent. Corrupt. Jaundiced. Tired.
So there you have it. Electric Six is back with its fourteenth record and it’s poppy and feel-good, as well as heavy, both sonically and lyrically. Our sound will corrupt you and enslave you as the beautiful demonic bride you know you truly are. Fraulein, take this severed hand with it’s creepy long nails from the beginning of time. To do so is truly thine destiny.
Come see Electric Six on the “Russia, If You’re Listening” tour this fall and into 2019. Bride of the Devil will be released on Metropolis Records on October 5, 2018 world-wide.
If you’ve ever heard a room full of people yelling “I hope your husband dies” in a some harmoniously sloppy, drunken unison, you’ve probably stumbled into an Amigo The Devil show. Danny Kiranos, better known to the masses as his musical counterpart Amigo The Devil, has been challenging the expectations of traditional folk, country music purists, and rock/extreme metal fans alike with his morbid, yet oddly romantic, take on folk that has amassed a dedicated and cult like fan-base. Despite being armed with only his vocals and a banjo/acoustic guitar, the live show is worlds away from what people expect of a folk show. Loaded with sing-alongs and an unsuspecting dose of humor to make otherwise grim topics accessible for fans of every genre, the songs remain deeply rooted in the tradition of story-telling that seems to be slipping away from the human condition.
For the press release, I basically just wrote down my experiences going into and my purpose for this record and same thing, use it as you please or if you want me to do something else entirely, let me know. I know Kevin wanted me to dig deep and get personal so I did.
RAMBLING:"I got tired of seeing people overcomplicate what they feel, or worse, ignore it altogether. Amigo The Devil started as an outlet for the brutal honesty that people didn’t feel comfortable discussing. More than create, I listened. At a bar, while eating dinner, at the DMV. Call it creeping if you want but it’s a pass time nonetheless. Even in the music being released about it, people used metaphors to dance around and avoid mentioning the dark thoughts people have and that just isn’t enough to shake you from the daydream, or a fever. It had to be simple, direct and honest. At the start, it seemed logical to learn this process by taking the worst people and trying to find the humanity in them. I wrote some songs about serial killers and realized that no matter how despicable their crimes were, everything was still rooted in the human condition with the same basic need to be needed, to feel valued, to have worth. Through this learning process, I realized there was actually something so much more dangerous than the people committing heinous crimes and it was stained so deeply into the fabric of our daily lives. Doubt and the depression it leaves us stranded in. Every experience is clearly different but for me, all of a sudden, it felt like I was living in a well so deep that if I shouted up for help, it would be lost on the way and never heard. It’s terrifying when it feels like you’re alone down there and there isn’t enough light to look around to realize how many people are there alongside you. For some reason, I refused to talk to my friends and family about it. It was shameful or irrelevant or any other excuse I can come up with to avoid bringing it up and when they would notice and ask, I caught myself repeatedly answering “everything is fine” or any variation of it in that moment. So this record was born. I started listening again, realizing it wasn’t just me. I saw people around me falling into the well but as I started paying attention, I saw people climbing out of it too. These are the stories of leaving the burden behind, whatever that may be and hopefully along with it the realization that carrying them for any period of time doesn’t break us, but makes us stronger than we ever were.
This is where Ross Robinson comes in. He allowed me to become and guided me towards being the best vessel I could be to filter these stories through. We sat there and accepted what wanted to come through, what wanted to be heard. It was the first process of recording that ever made complete sense with absolutely no filter or veil to compensate for the sounds. Recording in a studio untouched since the 70’s with all the original gear, straight to tape. Everything, recording, mixing mastering, to tape! It was absolute and pure brutal honesty, what I’ve been trying to achieve since the start of this thing. Then Brad Wilk added his pulse to it and it felt like together we had given life to these stories that otherwise are sounds and lyrics filling space. Everyone involved dove head first into a pool without water for this one and I’m unbelievably grateful to be in there with them."
w/ King Dude
and Twin Temple
Adv tix - $15
Kyle Craft and Showboat Honey // Duz Manicini and The Wasted Shades // Tchoup conf.
Daikaiju, Mothership, TBA 9pm 21+
Who is the Daikaiju??? Premium action heroes deliver most high rocket music! Special reverb skill combo for full impact! Loud sonic boom for earful pleasure!
Beautiful radiation of hyper-dimensional springy sound creates divine psychic wind for your special protection.
Worship Psycho-surf band Daikaiju daily for good luck and health!
Supersonic intergalactic heavy rock trio Mothership based out of Dallas, Texas give a real sense of hope that all is well in the universe, and that pure honest rock and roll has once again returned to this planet on a mission to unite true believers. Consisting of brothers Kyle Juett on bass/lead vocals, Kelley Juett on guitar/vocals, and Judge Smith on drums, these guys have created a unique sound that satisfies like a steaming hot stew of UFO and Iron Maiden, blended with the southern swagger of Molly Hatchet and ZZ Top, paired with a deadly chalice of Black Sabbath. Mothership’s goal from the beginning has been to carry on the tradition of the classic rock style of the ’70′s, updated and amped up for the modern day. The band has been non-stop road warriors since the release of their debut album in February 2013 on Ripple Music successfully invading the United States, Canada, United Kingdom and Europe playing either on festival stages, night clubs, or outdoors under the sun at motorcycle parties. This heavy rock juggernaut has only just begun their tear across the universal cosmos and have no plans of ever slowing down. Do not miss your chance to hop on board and TRIP ON THE SHIP.
Death Stair // Boyish Charm // Lovataraxx // Pebble // Melt
DEATH STAIR : DARK WAVE / GOTH / INDUS FROM NEW ORLEANS :
LOVATARAXX : DARKWAVE / MINIMAL SYNTH / POSTPUNK FROM FRANCE :
BOYISH CHARM : DARK LOVE - DREAM POP - ELECTRONIC FROM NEW ORLEANS : https://boyishcharm.bandcamp.com/releases
Dancefestopia is hosting a touring series of events around the US which DJs are competing for a spot to play at the 2019 Dancefestopia.15 Cities - 15 Winners!
DJ's / Producers:
If you've ever wanted to play at Dancefestopia this may be your chance!
To submit your music OR to get more information please visit: https://www.dancefestopia.com/roadtodancefestopia
Come out and help us select an artist from your city to perform at Dancefestopia.
High Desert quintet Bone Acre makes psych-rock that moves like a grass fire, whipped by the winds of Caroline Heerwagen’s intensely personal lyrics and fed by her smoldering vocals. The band’s name was derived from the title of a novel Heerwagen is writing — a dark tale about a little girl who falls prey to an older boy. And many of those vignettes surface in seething, haunting, raging fashion on Bone Acre’s debut album, “Oll Korrect.”
The album was three or so years in the making. The group — originally Sean Burgess, Adam D’Zurilla, Jason Obergfoll and Shawn Bann — had invited Heerwagen to come on as singer-songwriter. They were working on the music last year when, in October, guitarist Bann committed suicide. Ashley Mendel stepped in to replace him, and Bone Acre recorded the album with Dave Catching at the legendary Rancho De La Luna studio in Joshua Tree (Blind Melon’s Christopher Thorn did the mix). Its sound lives up to the room’s lineage.
The single “Bad Man” is about an abuser. It finds Heerwagen brawling with her demons, and the demonic things inflicted on her. “Just ’cause you’re wrong / doesn’t mean I’m right,” she sings, revealing just one facet of being a victim. Like the other seven episodes on “Oll Korrect,” it’s a case of healing with a howl and exorcism by guitar.
ARMED FOR THE APOCOLYPSE // ONUS // MISSING // CROSSED
Doors @ 8pm
21 & Up - $5
FELT & FUR
North Texas synth-pop trio Felt & Fur create dark danceable energy with eurythmic emotional charge. Alizsha Pennington's pleading lyrics paired with her dramatic guitar riffs offer a solemn counter to the pulsing keyboard melodies, pounding percussion and warm analogue synths of Randall Minick and Jarrod Estes to collectively form the perfect symbiosis of chaos and ritual. In November 2018, Felt & Fur's sophomore album Held made its debut release on Triptych Records and was quickly heralded as 2018 "Album of the Year" in the local press. The album's single, "Pulling a Thread" made "Song of the Day" in Central Track, Dallas' premier culture guide and "Music Video of the Day" in White Light White Heat. Driven by organic spacious keyboards, reverb-laden static, and hissing drones that grow to literally charge the air, Held features hypnotic, driving rhythms, spatial chord progressions and deep, repetitive, trance-inducing scapes of sound. Layered with rich tones, dynamic volume and enormous emotional range, Pennington's agonizing and dramatic vocals serve as guide through the labyrinth of penetrating, enduring synth pulsations generated by Minick and Estes.
NOLA Darkwave with pop sensibilities.
New Album Stardust Made Flesh out now:
Sulky sparkly dark rock duo with pop sensibilities from NOLA
Dreary synth drone pop // solo project of Wyatt Reverie
Sheer Terror Records presents the Creepy Fest main event!
SUBMACHINE - hardcore from Pittsburgh, PA
VOMIT SPOTS - punk from Mobile, AL
THE PALLBEARERS - nola hardcore punk
FAT STUPID UGLY PEOPLE - powerviolence
DIE ROTZZ - nola punk
MARTY FELDMAN'S EYES - hardcore from Lafayette
TRAMPOLINE TEAM - nola punk
TRASH NIGHT - dark blues/punk
LAUREN JEAN - no man band
PAWN OF THE JUNGLE - one man band
RED POISON BERRY - weird
Doors at 7pm - Show at 8pm
$15 cover for both floors
Sponsored by Antigravity Magazine, Aysia 999 Promotions, Paranoize, Terror Optics, Abita Brewery, 86'd Productions
For full Creepy Fest lineup: https://www.facebook.com/events/348593449344974/